Sometimes the world-building in Silo is superb while its primary storyline flounders, and then sometimes that primary storyline catches fire and the world-building becomes nonsensical. It isn’t always as easy, though, to be caught up in the exact same things the show is interested in at the exact same time it’s interested in them. It’s easy to get caught up in the adaptation of Hugh Howey’s book series, which hails from Graham Yost ( Justified), one of my favorite showrunners. There’s absolutely nothing wrong with a show doing a standalone episode this early in its run - “Long, Long Time” from The Last of Us is a tremendous recent example - but in the case of Silo, it captures much of what’s simultaneously so successful and so frustrating about the series. Her surroundings start disappearing as the tumble dryer finishes its load - she then disappears.David Oyelowo on Helping Girls in Nigeria - With Meghan and Harry's Support Her mother sings the song, and tears trickle down her face - she sits back and listens. She wants to remember the song that her mother sang to her. To close the episode, the present-day character rings her mother and recollects a time there was a bad thunderstorm when she was younger, and she comforted her. The past Leah disappears as she uses the calculations given and disappears - the present-day Leah tells future Leah that they need to think of a better future before muting her agitated and extremely upset future self. Future Leah warns present-day Leah that this will not work because of the butterfly effect. The endingīut suddenly, present-day Leah tells her past self on the other screen that she can travel far into the future to get the cure of ALS. Present-day Leah tells her future self that she’s forgiven. Future Leah hates the regret she is going through and wants some comfort that present-day Leah forgives her. The future Leah tells her present-self that she cannot escape this because she’s gone through this herself - she knows she will not be able to live with herself and knows she needs to stay and cherish the time left. She expresses how every day feels like a year with her mother - she admits to lying, and the reason she wants to go into the future is that she wants it to be over she wants her mother to be a thing of the past because the present hurts too much. The future Leah wonders why present-day Leah thinks that there is a cure to ALS in five years - she continues to press her, and present-day Leah eventually screams, “I need it to be gone! I need to be finished”. The whole concept of regret and the disregard for cherishing time then come to fruition in Solos season 1, episode 1 Present-day Leah explains to her past self she wants to travel in the future to find a cure for their mother because she’s sick with ALS. The future Leah asks present-day Leah why she wants to travel in the future. Getting frustrated, present-day Leah decides to do some more formulas, and she realises that the other Leah was lying about being in the past - she’s in 2029 Leah is now talking to two versions of herself on two separate video screens - one in the future and one in the past. Her past self wants the Game of Thrones ending. Present-day Leah wants the code from her past self so she can go into the future - they agree to make a trade information on the future for the interdimensional code.
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